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It's almost reminiscent of his uneven 'Ghost Rider' performance, a similar role.
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You can see the determination in his eyes, but it's just not there in his performance, in body language or tone of voice. His portrayal of Milton is a bit too calm and collected for someone who was just burning in hell, who now has demonic forces on his ass to bring him back home. Accompanied by the smoking hot Piper (Amber Heard), Milton has only a few days to make things right, and it doesn't help that The Accountant (William Fichtner), a demon attempting to retrieve Milton back to Satan's grasp, is hot on his trail.Ĭage isn't the perfect casting, and, as much as I hate to say this, he may be the one weak link. He's gunning for anyone involved in the affair, working from the bottom up, and he's leaving a trail of bodies in his wake, delivering more and more souls to the underworld. The cult gets their wish, in a sense, as Milton breaks out of hell to seek vengeance, in an attempt to save his granddaughter's life. The death of John Milton (Nicolas Cage)'s daughter and her husband at the hands of a satanic cult was bad enough, but the plans of Jonah King (Billy Burke) and his followers to sacrifice Milton's newborn granddaughter under a full moon to bring hell to Earth is the last straw. It's probably not the best film for female audiences, as it lacks any delicacy or subtlety, whatsoever, on top of numerous moments with violence against women or bits that can readily be seen as demeaning towards the finer sex. Perhaps that's why Lussier designed this flick to have as much happening as possible, with some very elaborate set pieces and scenes sure to get one's adrenaline pumping. In fact, the more you think, the more likely you are to spot moments that just don't work logically. Patrick Lussier's 'Drive Angry' is a film that doesn't require brains to watch. Hot girls, fast cars, awesome gunfights, cool characters, bloody carnage, smart dialogue stringing it all together the more there is, the merrier the experience will be. With guy movies, what matters most is seeing what you wanted to see. Heck, most of the 'Fast and the Furious' films are perfect examples of this. The plot is just a way to string action sequences together.